For a full review of Day Three of Bonnaroo including this show and others throughout that day including Charles Bradley, Jason Isbell, The Bluegrass Situation with Steep Canyon Rangers, Deathcab for Cutie, and finally Dead and Company. http://livemusicnewsandreview.com/day-three-bonnaroo/ Truckin->Smokestack Lightning->Bertha Playin in the Band-> Birdsong Tennessee Jed Shakedown Street Passenger->Birdsong Casey Jones set two Help on the Way-> Slipknot Scarlet Begonias-> Fire... favoritefavoritefavoritefavorite ( 3 reviews ) Topic: Dead & Co, John Mayer, Bob Weir, Oteil, Bonnaroo, rhythm Devils, Grateful Dead, Source: tascam DR 40 AUD
Dead & Company Bonnaroo Music Festival 2016 (Manchester, TN) Friday June 12 at the What Stage. Audience recording, Stereo 16 bit 44.1Khz favoritefavoritefavoritefavoritefavorite ( 1 reviews ) Topics: Bonnaroo, Dead & Co, 2016
On November 18, 2015, Band Management granted permission to host Dead & Company recordings on the Live Music Archive
Via Phone Call with Former Grateful Dead Members management permission was granted to host Live Recording On The Live Music Archive.
Audience Recording are permitted for upload only. No Soundboard recordings. Members and managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts or offered on this website. That a medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard. Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follow:
No commercial gain may be sought by Web sites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means. All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music.This notice should be clearly posted on all sites engaged in this activity. We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work.